![]() launched an annual Native Tongues Festival to celebrate the musical legacy of the Native Tongues. In 2019, the 9:30 Club in Washington, D.C. ![]() The Native Tongues are credited with expanding the hip-hop genre, inspiring and enabling the future success of artists such as Kanye West, The Neptunes ( Pharrell Williams & Chad Hugo) and Tyler, The Creator. Q Tip states near the track's end that "this right here is a family". In 1998 on A Tribe Called Quest's album The Love Movement, the last track ("Rock Rock Ya'll") features Jane Doe, Mos Def, Punchline & Wordsworth. The various groups grew distant with time, and, by 1993, De La Soul's Trugoy the Dove proclaimed, "That native shit is dead." The collective would, however, reunite in 1996 for the Jungle Brothers’ "How Ya Want It We Got It (Native Tongues Remix)" collaborators in this period, such as Common, The Roots, Truth Enola, DJ S.T.R.E.S.S., Da Bush Babees, and Mos Def, could be seen as latter-day additions to the crew. While featuring an extensive discography, the collaborations of the Native Tongues have been fairly limited: the collective never recorded anything under that name, and the number of notable crew cuts can be counted on one hand. The song "Scenario" was the final track on A Tribe Called Quest's album The Low End Theory and featured the fledgling Leaders of the New School-Dinco D, Busta Rhymes, and Charlie Brown. If you’re old enough, recall the naive early-'90s moment when young rappers from Nassau County and so forth were so brave they considered mellow and humorous a righteous path as well as a commercial ploy. A Tribe Called Quest and De La Soul's albums of this time are considered among the best and most important in the hip hop genre. Collectively, the members of the Native Tongues had a huge effect on the style and trends of hip hop during its most important period, the golden age of the late 1980s–early 1990s. By 1989 they had been joined by Queen Latifah and the United Kingdom's Monie Love, and soon by the Black Sheep & Chi-Ali. It just showed people could come together." įostered by Kool DJ Red Alert, the success of the Jungle Brothers would pave the way for De La Soul and A Tribe Called Quest together, these three groups would form the core of the crew and continue the spirit of Afrika Bambaataa and the Zulu Nation. I think that's the main achievement of the Native Tongues. "Yo these kids, De La Soul, you gotta meet ’em! I swear we're just alike!" I went there, met them, and it was just fuckin' love at first sight. Bottom line, it was just having fun." Īccording to Q-Tip of A Tribe Called Quest: "I remember Afrika called me that night, like, two in the morning. It was just trading ideas and just seeing what you're doing. So we invited to a session, and when they hooked up with us, we happened to be doing "Buddy." It wasn't business it wasn't for a check. We had a natural love for the art and a natural love for each other on how we put stuff together. Together with the use of eclectic samples that would take on an increasingly jazzy sound, they would be pioneers of so-called conscious hip hop, alternative hip hop, and jazz rap.ĭe La Soul's Trugoy the Dove recalled: "The Native Tongues came about where, basically, we had a show together in Boston. The New York City-based Native Tongues crew was a collective of like-minded hip hop artists who would help bring abstract and open-minded lyricism that addressed a range of topics-from spirituality and modern living to race, sex, and just having fun-to the mainstream. ![]() The Native Tongues took their name from a line in the song “African Cry,” by Motown-offshoot funk group New Birth, which features the lyric, “took away our native tongues." History Rolling Stone cites the track "Doin' Our Own Dang" as "the definitive Native Tongues posse cut". The collective was also closely tied to the Universal Zulu Nation. Its principal members were the Jungle Brothers, De La Soul, A Tribe Called Quest, Monie Love, and Queen Latifah. The Native Tongues were a collective of late 1980s and early 1990s hip-hop artists known for their positive-minded, good-natured Afrocentric lyrics, and for pioneering the use of eclectic sampling and jazz-influenced beats.
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